LONGEVITY – Adapted from Essential Oil Desk Reference Summary Wheel of body systems, using Valor, Oregano, Thyme, Orange, Clove, Longevity, Frankincense, and Peppermint … $109 LIVER – Adapted from Essential Oil Desk Reference Summary Wheel of body systems, using Valor, Oregano, Thyme, Carrot Seed, German Chamomile, Juvaflex, Ledum and Peppermint … $110 JOINTS & BONES – Adapted from Essential Oil Desk Reference Summary Wheel of body systems, using Valor, Oregano, Thyme, Helichrysum, Wintergreen, Panaway, Spruce, and Peppermint … $110 Bond’s knowledge of male balancing oils, using Valor, Oregano, Thyme, Lavender, Blue Yarrow, Mister, Myrtle, and Peppermint … $109 HORMONE BALANCE- MALE – Adapted from Essential Oil Desk Reference Summary Wheel of body systems and Dr. Bond’s knowledge of female balancing oils, using Valor, Oregano, Thyme, Dragon Time, Fleabane, Endoflex, Clary Sage, and Peppermint … $109 HORMONE BALANCE- FEMALE – Adapted from Essential Oil Desk Reference Summary Wheel of body systems and Dr. HEART/CIRCULATION – Adapted from Essential Oil Desk Reference Summary Wheel of body systems, using Valor, Oregano, Thyme, Goldenrod, Clove, Aroma Life, Cypress, and Nutmeg … $109 Uses Valor, Oregano, Thyme, Basil, Wintergreen, Marjoram, Cypress, Peppermint, Aroma Siez, V6, and OrthoEase … $109īIBLE OILS – Based on the Bible Oils Kit from Young Living a very deep and spiritually “atuning” session using Three Wise Men, Hyssop, Myrtle, Cypress, Spikenard, Myrrh, Cedarwood, Onycha, Sandalwood, Galbanum, Cistus, Cassia, and Frankincense … $159īRAIN – Adapted from Essential Oil Desk Reference Summary wheel of body systems, using Valor, Oregano, Thyme, Clarity, Cardamom, M-Grain, Peace & Calming, and Peppermint … $109ĬOLON/DIGESTION – Adapted from Essential Oil Desk Reference Summary Wheel of body systems, using Valor, Oregano, Thyme, Cumin, Tarragon, DiGize, Fennel, and Spearmint … $109 Contact owner, Sherry Cummings Strayer, at 81, or by email at for your appointment booking today!ĬLASSIC – Based on Raindrop Technique as taught by Gary Young (Dallas, TX 2000). Prices are subject to change at any time at the discretion of Essence of Pure Living. ![]() ![]() But the idea of SOUND, as an energy form, measured in amplitudes and cycles per second, as frequency, can be measured… and this relates directly to our everyday lives. Some intervals are naturally pleasing to us: the Octave, 5ths, 4ths…”perfect intervals.” There is much more to the theory, including consonant, dissonant, and overtone aspects that bring the session into a deep and amazing healing place. An Interval is the sound created when 2 tones or pitches are sounded at the same time, or two tuning forks are tapped at the same time…the meeting of the two waves of these two tones. Sound Energy – When playing Middle C on the piano, it vibrates at 261.63Hz, while an octave lower vibrates at half that rate or 130.82Hz, thus a 2:1 ratio of frequency. This correlates beautifully to the musical scales of the piano, familiar to you as maybe…do, re, mi, fa, so, la, ti, do. All of this is based on the Earth’s rotation using mathematical equations and frequencies, as well as other planetary rotations and their varying frequencies. Each interval has a related frequency and specific qualities that are combined with complementary essential oils at each part of the session. A Raindrop Technique with Tuning Forks always incorporates two tuning forks at the same time to produce harmonic musical intervals. Tuning Forks -Tuning Forks are paired to create ‘intervals’ of sound, starting with the Unison forks (two forks of identical frequency) and moving along to the 2nd, 3rd, 4th, 5th, 6th, 7th and Octave positions. There are many versions of a Raindrop Technique, and the oils that are used in a session can vary, although I personally use the detailed and original work of Gary which has been maintained by CARE, Center for Aromatherapy Research and Education. So, what is Raindrop Technique? It is a sequence of anointing the body with oils and laying hands on the body that enables structural and electrical alignment in a relaxing and invigorating manner through the power of essential oils. ![]() She took the great and anointed research from Gary Young who created Raindrop Technique, and blended the two. ![]() Christi Bonds has discovered and created a powerful energetic and balancing tool for the body. This version of tuning fork application is taken from Acutonics, which has been studied and used in vibrational healing for many years. Vibrational Raindrop Technique, brings together the power of vibrational frequency from tuning forks and the healing energetic frequency of Therapeutic Grade Essential Oils.
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This leather cactus luggage tag is a perfect assortment to hang on your bag to identify it from afar. Sometimes in the baggage claim, it gets tricky to find your bag on the conveyer belt, there are hundreds of bags, and few of them even are similar. ![]() These DIY luggage tags can also make thoughtful gifts to the people in your life who are planning to fly somewhere soon! 1. The great news is that to enjoy a flawless luggage experience, you can sew or make these creative diy luggage tags all by yourself!Įxplore through our DIY luggage tag ideas and make spotting your luggage at the baggage claim pretty easier! Another best thing about making your own luggage tag is that you can make it pretty customized! And in case if your luggage goes missing, you can jot down your address or contact details so it can be sent back to you! So, go for an informational tag along with the design and a catchy Instagram shot! If you want an informational luggage tag, you will love our sweets inspired diy luggage tags, with each sweet representing different information. It is also fun to have a unique and creative packaging experience. Especially if you are anything like Monica, just the luggage and what’s inside don’t count. If you are planning a quick trip on a long awaited vacation or a business meeting, the most essential part of your journey is your luggage! To secure your luggage, you can explore our 30 DIY luggage tag ideas to ensure your trip goes without a bump! Like losing or misplacing your luggage. ![]() ![]() Learn how to make DIY luggage tags with these 30 homemade luggage tag ideas for a fun and easy way to give your bag an individual touch. ![]() * musical keyboard: the new panel with additional functions and settings to open it - increase the height of the keyboard and press the appeared "+" button * module editor menu: new function "Mute/Solo buttons" to show/hide the Bypass/Mute/Solo buttons under each module * new curve types for ADSR and FMX modules: rect smooth rect 2-bit (linear) 3-bit 4-bit 5-bit * Loop: the maximum of the "Repeat" controller has been increased to 128 (128 = repeat endlessly) * Loop: new controller "Maximum buffer size" (in seconds) to protect against allocating too much memory * Loop: new controller "Length unit" (line/128 line line/2 line/3 tick ms Hz) * MultiSynth: new option "Output port number = random" (three different algorithms are available) * Distortion: new type "saturation" (adding odd harmonics) + five of its variations * high resolution fonts with fractional scaling you can disable these features in Preferences -> Interface -> Fonts * Preferences -> Audio -> Additional options: new option "minimize the amount of system-supplied signal processing" (measurement mode) * now the interface is displayed in high resolution if you want to switch back to the normal low resolution mode (on some devices this will increase the FPS) - go to the Preferences -> Interface -> Low resolution * Loop: new controller "On NoteON" (restart with transition to zero iteration (record) restart current iteration) see simple_examples/loop4.sunvox If you are a musician and own an iphone, you owe it to yourself to try this amazing application! In the overcrowded world of music apps, Sunvox stands out as both unique and powerful. Vocal Filter (for human voice simulation).SpectraVoice (FFT-based synthesizer for warm atmospheric sounds).DrumSynth with 120 unique synthetic drum sounds.Official SunVox homepage, user manual, video tutorials:įound a bug? Have some questions? Just write me directly: answer comes immediately! To connect one module (source) to another (destination): first touch on the source, second touch on the destination. The main menu - button with the SunVox icon in the upper left corner of the screen. It is also available for other systems (see the site).It's possible to use SunVox engine in your own applications using the free library for developers.Generative music features: random selection of notes, random values of controllers, probability effects.Audio Unit Extension (AUv3 instrument/effect), Audiobus. ![]() ![]() Mic/Line recording (using the Sampler).XM (FastTracker) and MOD (ProTracker, OctaMED) import.Support of 16/24/32bit WAV, AIFF and XI samples.It is a small and fast cross-platform modular synthesizer with pattern based sequencer (tracker). SunVox is one of the most powerful music creation tools for iOS. One of the most powerful music creation tools for iOS: modular synth (+AU), MIDI sequencer and tracker. ![]() To test out Tuxera NTFS for Mac before purchase, you can download a 15-day trial from our website. If you don’t have a license yet, you can buy one from our website. ![]() With Tuxera NTFS for 2018, you can read and write files to your NTFS-formatted USB drives, and use those drives on both your Mac and Windows computers. This is because out of the box, Apple’s Macs only come with support for reading NTFS drives, the popular file system used in Windows. If you have just switched from Windows to Mac, you might be having trouble copying files to hard drives used on Windows. Or you can always get the latest version directly from our website. To update, simply go to System Preferences -> Tuxera NTFS For Mac -> Updates tab on your Mac (for Tuxera NTFS for Mac 2015 and above). For existing customers, upgrading from the previous version to this new one is free. Or you can always get the latest version directly from our. However, if you’re using the older version of Tuxera NTFS for Mac 2018 with High Sierra support, you do not need to update our software when you upgrade to Mojave at this time.īut if you’re still using Tuxera NTFS for Mac 2016 or an earlier release, you’ll want to update to our latest version. To update, simply go to System Preferences -> Microsoft NTFS by Tuxera -> Updates tab on your Mac. We always suggest using the latest version of our software to get the performance upgrades and new features. With Tuxera NTFS for Mac 2018, you can seamlessly use your drive between your Mac and Windows computers. ![]() With Tuxera NTFS for Mac 2018, you can seamlessly use your drive between your Mac and Windows computers. To update, simply go to System Preferences - Tuxera NTFS For Mac - Updates tab on your Mac (for Tuxera NTFS for Mac 2015 and above). Complete setup Tuxera NTFS 2018 offline installer for mac OS with direct link.Description Tuxera NTFS 2018 For Mac Overview Streamlined and easy-to-use. Our latest version supports macOS 10.14 Mojave and is also backwards compatible all the way to Mac OS X 10.4 Tiger. Tuxera NTFS for Mac is a file system driver giving you access and full read/write capability to Windows NTFS-formatted drives on your Mac. We are excited to announce a brand-new release of Tuxera NTFS for Mac with macOS Mojave support! Edit your files on Windows NTFS drives in macOS Mojave ![]() We will be using HSL which is hue, saturation, and lightness. So, after selecting any node, it may be the start, end, or in between, you can change the fill of the flat color using available color modes like RGB, HSV, HSV, CMYK, Wheel, CMS. Step 7: Before selecting any color make sure that you have selected any of the nodes in the gradient if not then if will fill the entire shape with one color. Step 6: Next we open the Fill and stroke panel or press Shift + Ctrl + F to change the color and have a bit more control. Regarding the color selection we have a bar at the bottom with preset colours but if you want to select from another image or object than you can pick from it directly using Pick color from image tool or press D The method to add a stop is similar in both linear and circular gradient. You can also drag the stops and change the position to where you need the color transition. This will add a new node which is diamond shaped as the start node is square and the end node is circle. Step 5: Now if you want a different color in a gradient than the one which are created from the two color than you can insert new stop from the control bar. In case of circle, it is radial gradient so it has two end nodes but you can select either to change the color of the gradient. Step 4: The gradient we have done were fading to white but what if we want to change the color of gradient and also the color to which it fades, then we select the nodes in case of square top node will change the color where it starts and the bottom node will indicate the color of the gradient to which the original color fades or mixes in. Thought this method will not create gradient from the center as you have to guess it. Step 3: Then using create circle tool or press E we have created a circle and then again use the gradient tool but this time we will select create radial elliptical or circular gradient from the control bar. ![]() But for more accurate degrees you can hold Ctrl for 15-degree increments. You can change the angle of the gradient by dragging it in different direction. By default, a linear gradient will be created. Click first on where you want to start the gradient and release it when you want to end your gradient. ![]() Step 2: Then use the create and edit gradient tool or press G and then drag onto the square object which will create a gradient. ![]() ~5% - Writing instructions for the camera/editing for the visuals that accompany your script (on-the-job training provided) ~15% - Writing video scripts for hosts to read Researching products by attending press briefings, conducting calls with brands, and good ol’ fashioned Google Using our workshop to create tests and crazy projects like a water-cooled mattress, or a sub-zero CPU cooler using parts from AliExpress ~65% - Getting hands-on with products and forming an original, informed opinion. The Engineering-focused Writer’s responsibilities include, but are not limited to, the following: ![]() Reporting to the Head of Writing, the successful applicant will utilize their engineering and maker skills to do wacky tech projects (such as the Tea-Cooled PC and the 600 Hour Cyberpunk PC Build, to name a few), write video scripts, and help out with the production of our YouTube Channels. Writer - Engineering Focused (Linus Media Group) Highly organized with the ability to manage multiple tasks effectively Optimizing code for better performance and scalabilityĬrafting clear user stories, design tests, and continuously delivering product enhancementsĪt least 3 years of relevant experience AND/ORīachelor’s Degree in Computer Science, or a related field AND/ORĪbility to work with strictly-typed TypeScriptĮxcellent understanding of JavaScript and/or (some of) its derivatives, and CSS.Įxcellent analytical and problem-solving skillsĪbility to work with a team as well as independently The Front-End Developer’s responsibilities include, but are not limited to, the following:Įnsuring code follows up-to-date practices in order to ensure maintainability, performance, and securityĬollaborating with other team members to drive innovation and avoid missteps We’re looking for a results-driven developer who will work well with team members to improve current front-end features and interactivity. Reporting to the COO, the Front-End Developer will be responsible for implementing visual, interactive elements that users will engage with on the Floatplane website. ![]() ![]() He explained how his monochrome palette was meant to depict negative and positive space by saying, "I paint the white as well as the black, and the white is just as important." His use of black and white is very similar to paintings made by de Kooning and Pollock during the 1940s. ![]() It was also at this time that Kline began painting only in black and white. However, even though Willem de Kooning recalls that Kline delved into abstraction "all of a sudden, he plunged into it", he also concedes that it took considerable time, stating that "Franz had a vision of something and sometimes it takes quite a while to work it out." Over the next two years, Kline's brushstrokes became completely non-representative, fluid, and dynamic. "A four by five inch black drawing of a rocking chair.loomed in gigantic black strokes which eradicated any image, the strokes expanding as entities in themselves, unrelated to any entity but that of their own existence."Īs Elaine de Kooning suggests, it was then that Kline dedicated himself to large-scale, abstract works and began developing his personal form of Abstract Expressionism. De Kooning's wife Elaine gave a romanticized account of the event, claiming that, in 1948, de Kooning advised an artistically frustrated Kline to project a sketch onto the wall of his studio, using a Bell–Opticon projector. It is widely believed that Kline's most recognizable style derived from a suggestion made to him by his friend and creative influence, Willem de Kooning. The mural Lehighton was acquired from the American legion post in 2016 by the Allentown Art Museum in Allentown, Pennsylvania and is today on permanent exhibition there. In 1946, the Lehighton, Pennsylvania Post of the American Legion commissioned Kline to do a large canvas depicting the town where he had attended high school. From the late 1940s onward, Kline began generalizing his figurative subjects into lines and planes which fit together much like the works of Cubism of the time. With the influence of the contemporary New York art scene, Kline worked further into abstraction and eventually abandoned representationalism. This is sometimes only apparent to viewers because the pieces are named after those places and objects, not because they actually look like the subject. Many of the figures he depicted are based on the locomotives, stark landscapes, and large mechanical shapes of his native, coal-mining community in Pennsylvania. The personal style he developed during this time, using simplified forms, became increasingly abstract. The series revealed his interest in breaking down representative forms into quick, rudimentary brushstrokes. His individual style can be first seen in the mural series Hot Jazz, which he painted for the Bleecker Street Tavern in Greenwich Village in 1940. During the late 1930s and early 1940s Kline worked figuratively, painting landscapes and cityscapes in addition to commissioned portraits and murals. Kline's artistic training focused on traditional illustrating and drafting. He spent summers from 1956 to 1962 painting in Provincetown, Massachusetts, and died in 1962 in New York City of a rheumatic heart disease, ten days before his 52nd birthday. ![]() He later taught at a number of institutions including Black Mountain College in North Carolina and the Pratt Institute in Brooklyn. It was during this time in New York that Kline developed his artistic techniques and gained recognition as a significant artist. He then moved to New York City in 1939 and worked for a scenic designer. Upon his return to the country, Kline worked as a designer for a department store in New York state. She returned to the United States with Kline in 1938. During this time, he met his future wife, Elizabeth V. After graduation from high school, Kline studied art at Boston University from 1931 to 1935, then spent a year in England attending the Heatherley School of Fine Art in London. His mother later remarried and sent him to Girard College, an academy in Philadelphia for fatherless boys. During his youth, he moved to Lehighton, Pennsylvania, where he graduated from Lehighton High School. When he was seven years old, Kline's father killed himself. Kline was born in Wilkes-Barre, Pennsylvania, a small community in the Coal Region of Northeastern Pennsylvania. Although he explored the same innovations to painting as the other artists in this group, Kline's work is distinct in itself and has been revered since the 1950s. Kline, along with other action painters like Jackson Pollock, Willem de Kooning, Robert Motherwell, John Ferren, and Lee Krasner, as well as local poets, dancers, and musicians came to be known as the informal group, the New York School. He is associated with the Abstract Expressionist movement of the 1940s and 1950s. ![]() Makes use of all the powerful tools and classifiers from the latest version of Weka.Can be trained to learn from the user input and perform later the same task in unknown (test) data. ![]() One plugin which is designed to be very powerful, yet easy to use for non-experts in image processing:Ī tool that combines a collection of machine learning algorithms with a set of selected image features to produce pixel-based segmentations. More precisely, image segmentation is the process of assigning a label to every pixel in an image such that pixels with the same label share certain visual characteristics. It is typically used to locate objects and boundaries. ![]() #0: Fixed the memory leak issue cause by the OpenCV interface.Error creating thumbnail: Unable to save thumbnail to destination #3: Fixed a bug caused by the completely blank image region. #4: Fixed a bug related to the subpixel interpolation. #8: Force the output number format to override the system locale setting to avoid the error interpretation of comma for different locale (ex: French / US). #3: Fixed a bug when no correlation peak was found at first round. #6: Added macro script examples for analyzing stacks with more than 2 slices. #7: Fixed a bug causing the wrong magnitude in the Cross-correlation version. #3: Updated to match more recent javacv/opencv library files (support win32, win64, mac64, linux32, linu圆4 now) #7: Updated to use the latest javacv version 0.10 #2: Make the post-processing compatible with macro command, example: Try with the sample image to see if everything worked correctly. Restart ImageJ, you will find a new entry under the plugins menu (Plugins>PIV) Depending on your system architecture, put one of the following files: 32-bit Windows, 64-bit Windows, 64-bit Mac, 32-bit Linux or 64-bit Linux into your ImageJ's plugins folder. Download javacv library files javacv.jar, javacpp.jar, opencv.jar into your ImageJ's plugins folder Download the PIV_.jar and put it into your ImageJ's plugins folder If your ImageJ.exe is under Program files(x86), then you are using 32bit. Determine your system architecture: for windows 7 or 8, you might run ImageJ under 32bit or 64bit. Put the system-independent javacv library files: javacv.jar, javacpp.jar, opencv.jar into your ImageJ's plugins folder.ĭepending on your system architecture, put one of the following files: 32-bit Windows, 64-bit Windows, 64-bit Mac, 32-bit Linux or 64-bit Linux into your ImageJ's plugins folder. However, if you want to do PIV with the template matching method (window size unlimited by the power of 2, and interrogation window compared with a larger searching window), you will also need the OpenCV / javacv library files. You will find this plugin under the ImageJ menu Plugins>PIV. Just put the downloaded PIV_.jar to your ImageJ plugins folder, and restart ImageJ. Compared with the plugin PIV analyser, this plugin provides more flexibility in terms of multiple PIV iteration, different correlation algorithm, as well as data retrieval and processing.įor FIJI users: use the built-in update manager (ImageJ's Menu>Help>Update.), and add the following URL via "Manage update sites">"Add update site" Nevertheless, the implementation as ImageJ plugin makes it more available to general public and easier to combine with other image processing tasks. It might be somehow rudimentary compared with other specialized PIV program (such as JPIV, mpiv, openPIV. This plugin was originally developed for measuring the displacement field of Traction Force Microscopy (TFM). This plugin also provide a plot function to visualize the vectorial data with selected color coding. The result of the PIV analysis will be displayed as a vectorial plot, and saved in plain text tabular format containing all the analysis result. One can either use the conventional cross-correlation method, which compares two interrogation windows with the same size or one can use the template matching method with normalized correlation coefficient algorithm, where the interrogation window is compared against a larger searching window. Two image correlation methods were implemented for the optic flow measurement. By progressively decreasing the interrogation window size, a better PIV resolution can be achieved. The cross-correlation between these image subregions measures the optic flow (displacement or velocity of the objects) within the image pair. Basically, a pair of images is divided into smaller regions (interrogation windows). This ImageJ plugin performs iterative particle image velocimetry (PIV) analysis. So what do we have and what is the impact? This is a huge letdown and means we are missing basic asset management features available in native file managers in macOS (Finder) and Windows (File Explorer). We have no way of viewing, editing or searching metadata of a photo, such as Keywords, Tags, EXIF or IPTC metadata. Skylum is trying to build a new modern DAM that is not bloated with unnecessary features and that is a good thing, however unlike the performance side of things the DAM features which makes a DAM are virtually nonexistent. Also notice how Lightroom has yet to render a preview for many of the images while Luminar has. The video shows scrolling thought a subset of the full catalogue, Luminar has a much smoother and much faster scrolling than Lightroom. However even at that stage the preview rendering is certainly faster than Lightroom which means you will be able to start working on images faster. The only time Luminar needs to generate a preview is if the RAW file does not contain an embedded preview or you import other image formats that do not contain embedded previews. The reason why it is so fast, is because unlike Lightroom, Luminar uses the embedded JPEG preview of the RAW file, hence it does not need to generate previews in most cases. In other words it blows Lightroom out of the waters when it comes to importing and generating a preview. Importing of the near 6000 image s was blazingly fast and even more impressive was that 95% of the images had preview thumbnails instantly visible. Well, what is there to say other than Skylum makes good on their promise of “supercharged”. I imported the same images to Luminar 3 as I have in my Lightroom catalogue containing roughly 6000 images to see how Luminar stacks up performance wise. I run Luminar 3 on the same computer I run Luminar 2018, Affinity Photo and Lightroom a MacBook Pro Retina (Mid 2012) with an Intel Core i7 processor, 16 GB of memory and a 256 GB Solid State Drive (SSD) running macOS 10.14 (Mojave). As promised in my earlier article I will also reveal my list of features Skylum would need to add or improve for Luminar to become the industry leader. ![]() ![]() In this article we will have a look at the new library module and how it stacks up as a digital asset manager (DAM) and see if Skylum lives up to their bold statement of delivering a supercharged DAM. This means Lightroom and CaptureONE users have an even bigger reason to switch over to Luminar. The new Luminar 3 is here and with a much needed update, the addition of library management. Idolizing Systems: That Doesnt Sound Right By Mieke Bal.Mike Shultis: Animal Crackers By Andrew Paul Woolbright.Isaac Julien: Lina Bo Bardi - Marvellous Entanglement By Osman Can Yerebakan.Baseera Khan: I Am an Archive By Adriana Furlong.Difference Machines: Technology and Identity in Contemporary Art By Charlotte Kent.Ambrose Rhapsody Murray: Within Listening Distance of the Sea… By Charles Moore.John Coplans: La Vie des Formes By Alex Merola.Dorothea Rockburne: Giotto’s Angels and Knots By Charles Schultz.Myeongsoo Kim and Cy Morgan: Classical Mechanics By Amanda Millet-Sorsa.Kandis Williams: A Line By Charlene K.George Rickey: Monumental Sculpture on Park Avenue By Irene Lyla Lee.Alex Griffin: Passages By Jennifer Rose Bonilla-Edgington.Myron Stout and Cycladic Art By Brandt Junceau.Pablo Bronstein: Hell in its Heyday By Maximiliane Leuschner.Roxy Paine: Normal Fault By Jillian Russo.Roxy Paine: Normal Fault By Gregory Volk.KAWS: SPOKE TOO SOON By Jason Rosenfeld.Winfred Rembert: 1945–2021 By Dan Cameron.Stanley Whitney: TwentyTwenty By Amanda Millet-Sorsa.Rakuko Naito & Sono Kuwayama By Robert C.Domingo Guccione: Spiritual Geometry By Jonathan Goodman.Philip Pearlstein: I Love Mud By Jessica Holmes.Stephen Westfall: Persephone By Tom McGlynn.Tishan Hsu: skin-screen-grass By Cassie Packard.Catherine Murphy: Recent Work By Barbara A.Kara Walker: Prince McVeigh and the Turner Blasphemies & The Book of Hours By Susan Harris.Jasper Johns: Mind/Mirror By Amanda Gluibizzi.Raqs Media Collective: HUNGRY FOR TIME By Klaus Speidel.Dorothea Rockburne: Giottos Angels & Knots By Joseph Masheck.Noah Landfield's Ephemeral Cities By William Corwin.Whitfield Lovell: Le Rouge et Le Noir By Hovey Brock.Donald Judd: Paintings 1959-1961 By Phyllis Tuchman.Michael Krebber: New Work By Louis Block.Madeleine Bialke: Long Summer By Elina Alter.Bruce Nauman: His Mark By Charles Schultz.Ethan Ryman: Series: Still Lives and Dioramas By Phong Bui.On Jasper Johns By Richard Shiff, Scott Rothkopf, and Carlos Basualdo.Jennifer Packer with Amber Jamilla Musser.Debra Bricker Balken with David Levi Strauss.On Larry Day By Phong Bui, Sid Sachs, Ruth Fine, Bill Valerio, and Richard Torchia.Alfred Taubam, Laura-Lee Whittier Woods, Howard Lipman, and Ed Downe in honor of the Museum’s 50th Anniversary 80.32.A message from Phong Bui Publisher and Artistic Director Art ![]() Whitney Museum of American Art, New York purchase, with funds from the Gilman Foundation, Inc., The Lauder Foundation, A. Encaustic on canvas (three panels), 30 7/8 × 45 3/4 in. From his iconic flags to lesser-known and recent works, the exhibition will feature paintings, sculptures, drawings, and prints-nearly 500 artworks across the two museums, many of which are from Johns’s personal collection and will be shown publicly for the first time. In an unprecedented collaboration, the Whitney and the Philadelphia Museum of Art are staging a simultaneous retrospective-the largest of Johns’s seven-decade career-that offers a fresh take on the artist. The radical, inventive art of Jasper Johns continues to influence today’s artists like few others. On, Wednesday, October 13 the AFA membership took an exclusive, before-hours tour of Jasper Johns: Mind/Mirror with Chrissie Iles, Anne and Joel Ehrenkranz Curator, and Kim Conaty, Steven and Ann Ames Curator of Drawings and Prints at the Whitney Museum of American Art. |
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